I really liked Divergent and was pretty interested in this collection of futuristic short stories. As with pretty much all short story collections–mixed bag. I really liked the first 2/3, but ended up skipping the last stories because I just didn’t care for the whole premise/setting/story.
My favorite story was the very first one, which read mostly like a good YA story about friends and mistakes. The future element was that a technology/medical procedure has been invented so that before you die you can hook up to a friend/loved one and share favorite memories, truly feel you are reliving them together, but you also get to talk to each other. I mean, who wouldn’t love that? I thought this was a great story.
A little more “less rosy future” was the Hearkener story, in which the world is constantly being exposed to biological warfare in an attempt (by fanatics) to eliminate the population. Certain members of society are Hearkeners and futuristic technology has allowed them to hear people’s life and death songs (something that’s been discovered.)
I can’t think of the last YA novel I enjoyed as much as this one. I loved everything about it.
Simi comes from a line of matchmakers and her mother definitely wants her to follow in her footsteps. After Simi helps nudge her cousin into a match her mom and aunt definitely believe she has the gift and want her to join them. Her mom and aunt have generations tested methods that her mom doesn’t believe technology can match. Simi’s super smart brother created an app that would be close to it and Simi and her best friend Noah get him to rework it to be an app they can launch to their school.
I liked the diverse cast of characters, the lovely friendship she has with Noah, and how naturally her Indian culture is just part of her life and easily shown-in the descriptions of what she wears, what they eat, celebrations, etc. None of that was a storyline-it just was. Much like Noah being gay and having a crush on someone he’s not sure returns the feelings–not an issue, just is.
I also liked the conversations and reflections Simi and her mom have about matchmaking and methods.
The whole story was just a terrific package!
I think Neal Shusterman’s books are great and I feel like the seeds of Scythe can be found in here, in terms of concepts that he’s thinking about. What if…? What if….every disease could be fixed? What if….we could transplant anything and always had enough body parts to transplant? And very pointedly, this book is tackling abortion wars. What if our country went to war over abortion? And then this book is showing the results of the compromise that was reached. In this future you cannot have an abortion, but you can “unwind” a child between the ages of 13 and 17. The child is sent to a harvest camp where they are unwound and all their body parts are put into other people. Therefore they are still “living.” It’s CREEPY and HORRIFYING.
I loved how it jumped around from the points of view of the different kids. Fast paced. Thoughtful. The ending was superb.
This book was bonkers! And I really liked it. I am left with some questions and need to talk to someone else who read it. (There are some things that I can’t quite tell if I just didn’t understand, need confirmation of what I think, or are deliberately vague. Either way, I think the story works.)
On a remote island off the coast of Maine there is a girls’ boarding school. BUT this is not a boarding school book such as I usually read. No, this is a story that feels more post-apocalyptic. In this case we join in the story a year and a half after some kind of biological epidemic has swept the island. Consequently, the school is shut off from the mainland, they have no contact with the outside world, many girls are dead and continue to die, and it’s somewhat of a Lord of the Flies situation. Basically, the disease (or whatever), that they refer to as the Tox, is making the girls mutate. MUTATE! And just to make it extra scary, the grounds of the school are fenced in, keeping them safe from all the mutating wild animals on the other side.
Woven into this are some intense girl relationships. And overall there is a mystery pushing the story forward–why don’t they get enough supplies? why did she overhear the staff talking to someone? etc.
I found this to be somewhat un-put-downable because you are convinced there is a sinister plot that you are eager to figure out exactly what’s going on (as are the characters. They also want to know what’s what.)
I think the most surprising thing about this book was just how violent it was! It was definitely pretty bizarre and out there, but I liked it in a weird way.
This book is one of the choices on Tabby’s summer reading list for entering 6th grade. I checked it out and read it and loved it, but I don’t know if she’ll actually read it. It’s so different from all the books she likes, but it felt very familiar to me, very reminiscent of a lot of this type of YA novel I’ve read (Princess Academy, Alanna (Song of the Lioness), Crown of Blood and Thorns, etc.)
This was a very fast read and I enjoyed it enormously.
Sage is one of 4 orphan boys plucked from around the city by a mysterious wealthy aristocrat. It turns out that he has a massively secret daring plan to present one of them as the long lost prince of the kingdom, to help avoid what he believes is imminent civil war (as soon as the kingdom finds out that the king and queen and their son are all dead.) It’s treasonous and terrifying and difficult, but these are boys without any choice.
There is a perpetual threat of violence, lies, and treachery throughout the story–everyone knows that the boys not chosen to the false prince will be killed. They all depend on each other to make this plan be a success, but also they cannot trust each other.
I enjoyed how everything tied together and worked out, and while it was a little bit predictable it did not diminish my enjoyment.
What a delightful romantic story. Hugo is British, Mae is American, both are 18 and the cusp of heading off to college. Hugo is one of 6 children, sextuplets, which has been a huge part of his identity and also determined his future. He’s set to go to college with siblings at the local university, which has been in the works since their birth. Mae lives with her two dads is an aspiring filmmaker. She is crushed that while she was accepted to the college of her choice, she was not accepted into the film program. The two do not know each other, but Hugo has tickets for a train trip across the U.S. His girlfriend bought them for them, but the tickets are in her name, nontransferable, and now they are broken up. He can only take the trip if someone with the same name as his ex can go with him. Mae is that person and they meet for the first time at Penn Station as they board the train, ready to embark on the adventure of sharing a tiny cabin and a lengthy journey with a stranger.
I love stories that are journeys both in actuality (a train trip, a road trip, etc.) and also clearly journeys of self (coming of age, falling in love, self discovery.) That’s what this story is and it’s lovely and romantic and also really, really made me want to take a nice train trip some day.
From the fantastic author of the terrific children’s series, Guinea P.I., here comes a full length YA graphic novel. Overall, I liked this very much, though I specifically preferred the second half of the book (when I felt like things really got moving, and I loved the ending as well as the author/illustrator interview.) There’s a bit of a family history mystery here that is sad and interesting and solid and informs much of the way her family acts. But then the main part of the story is a bit of self discovery, coming of age, type story. I want to click my “unlikable main character” box over there in my categories because I really, really could not stand Mads’s best friend, Cat. And I got so angry with Mads for not only remaining her friend, but also (to my mind) being inexplicably attracted to her! This was one of those stories where there were a few times I wanted to give the main character a good talking to about the choices she was making. I always think it’s good when the characters in a story provoke a strong reaction in the reader, so that’s not necessarily a negative.